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| There were a couple of moments in "The Balcony" that brought some good ol' fashioned Chuck-style fast-and-looseness. One happened when Lester, rather than reveal the "real" Lester, tore off his clothing down to leather pants and sang "Is This Love." I don't think any of us expected that to happen. Then there was the actual proposal, or, part of it. As sappy as this show can be, it still gets me when it counts. And: Lester's menorah. But after a shaky first part of a season, I'm not optimistic with the tone "The Balcony" laid out for the coming weeks. The episode, like the season, was very uneven, relying far too much on fabricated moments that should come easy on—what has been up until season four—a breezy show. |
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| Hank and the other main characters in the months leading up to Karen's planned marriage to Bill, a Los Angeles publisher. Hank is wallowing deep in self-loathing following the release of A Crazy Little Thing Called Love, which he perceives as a low-quality (yet commercially popular) movie adaptation of his most recent novel, God Hates Us All.[8] After picking up a younger woman in a bookstore and eventually having sex with her, Hank finds out that she is actually Bill's 16-year-old daughter, Mia. Hank spends most of his time drinking and not writing. Meanwhile, Mia continues to harass Hank during his visits to his family. She uses the threat of exposing his illegal sex with her as leverage to extort stories from him that she passes off as her own for her high school creative-writing class. The death of Hank's father triggers an alcohol-fueled binge and a sexual encounter with Karen. After his father's funeral, Hank stays in New York to finish a manuscript for a new novella. However, upon returning to L.A., he believes the original copy to be lost when he is carjacked. Mia, however, had previously copied the original and takes credit for it herself. On Karen and Bill's wedding day, Hank chooses to accept the way things are; but, as he leaves the reception with his daughter Becca, Karen runs out and jumps into his car, presumably to re-start their life together. |
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| Mad Men depicts parts of American society and culture of the 1960s, highlighting cigarette smoking, drinking, sexism, feminism, adultery, homophobia, racism and antisemitism.[12][37] Smoking, far more common in the United States of the 1960s than it is now, is featured throughout the series; many characters can be seen smoking several times in the course of an episode.[12] In the pilot, representatives of Lucky Strike cigarettes come to Sterling Cooper looking for a new advertising campaign in the wake of a Reader's Digest report that smoking will lead to various health issues including lung cancer.[38] The show presents a subculture in which men who are engaged or married frequently enter sexual relationships with other women. It also observes advertising as a corporate outlet for creativity for mainstream, middle-class, young, white men. Along with each of these examples, however, there are hints of the future and the radical changes of the 1960s |
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| Little is known about Spartacus beyond the events of the war, and surviving historical accounts are sometimes contradictory and may not always be reliable. Spartacus' struggle, often seen as oppressed people fighting for their freedom against a slave-owning aristocracy, has found new meaning for modern writers since the 19th century. The rebellion of Spartacus has proven inspirational to many modern literary and political writers, making Spartacus a folk hero among cultures both ancient and modern.the series poses nudity and fierce battle for love . |
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| In the year 2030, Ted Mosby (voiced by Bob Saget) sits his daughter and son down to tell them the story of how he met their mother. The story begins in 2005 with Ted (Josh Radnor) as a single, 27-year-old architect living with his two best friends from college; Marshall Eriksen (Jason Segel), a law student, and Lily Aldrin (Alyson Hannigan), a kindergarten teacher, who have been dating for almost nine years when Marshall proposes. Their engagement causes Ted to think about marriage and finding his soul mate, much to the disgust of his self-appointed best friend Barney Stinson (Neil Patrick Harris), whom he met in a restroom in a bar. Barney is known as a womanizer. |
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| The first season follows the rescue of Lincoln Burrows (Dominic Purcell), who is accused of murdering Terrence Steadman (Jeff Perry), the brother of the Vice President of the United States (Patricia Wettig). Lincoln is sentenced to death and is incarcerated in Fox River State Penitentiary where he awaits his execution. Lincoln's brother, brilliant structural engineer Michael Scofield (Wentworth Miller), is convinced of Lincoln's innocence and formulates an escape plan. In order to gain access to Fox River, Michael commits an armed robbery which results in his being sentenced to Fox River. In prison, Michael befriends the prison doctor Sara Tancredi (Sarah Wayne Callies) when he pretends to suffer from Type 1 diabetes, in order to gain daily access to the prison's infirmary. The brothers' fight to ward off the execution is aided by their lifelong friend Veronica Donovan (Robin Tunney), who begins to investigate the conspiracy that put Lincoln in jail. However, they are hindered by covert agents, members of an organization known as The Company. The Company was responsible for framing Lincoln, and they did so because of Lincoln's father, Aldo Burrows (Anthony Denison), and his former connections to the company. The brothers, along with six other inmates, Fernando SucreAmaury Nolasco), Theodore "T-Bag" Bagwell (Robert Knepper), Benjamin Miles "C-Note" Franklin (Rockmond Dunbar), David "Tweener" Apolskis (Lane Garrison), John Abruzzi (Peter Stormare), and Charles "Haywire" Patoshik (Silas Weir Mitchell), who come to be known as the Fox River Eight, escape in the season finale. ( |
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| The show focused on the romantic and personal lives of the main characters, often using legal proceedings as plot devices to contrast or reinforce a character's drama. For example, bitter divorce litigation of a client might provide a backdrop for Ally's decision to break up with a boyfriend. Opposing legal arguments were also frequently used to explore multiple sides of various social issues. Cage & Fish (which becomes Cage/Fish & McBeal or Cage, Fish, & Associates towards the end of the series), the fictional law firm where most of the characters work, is depicted as a highly sexualized environment, symbolized by its unisex public restroom. Lawyers and secretaries in the firm routinely date, flirt with, or have a romantic history with each other, and frequently run into former or potential romantic interests in the courtroom or on the street outside. |
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| Family Guy is an American animated television series created by Seth MacFarlane for the Fox Broadcasting Company. The series centers on the Griffins, a dysfunctional family consisting of parents Peter and Lois; their children Meg, Chris, and Stewie; and their anthropomorphic pet dog Brian. The show is set in the fictional city of Quahog, Rhode Island, and bases much of its humor on parodying American pop culture. |
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| The Simpsons is an American animated television series created by Matt Groening for the Fox Broadcasting Company. The series is a satirical parody of a working-class American lifestyle epitomized by its family of the same name,[1] which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional city of Springfield, and lampoons American culture, society, television and many aspects of the human condition.Since its debut on December 17, 1989 the show has broadcast 475 episodes and the twenty-second season started airing on September 26, 2010. A must watch |
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| OLADAPO ADEYEMO | 07061804813 ausof2206@gmail.com |
